ELIZABETH GREENFIELD
THE FINALISTS REVEALED 2024
JTVA is pleased to announce the 7 finalists for the fourth Elizabeth Greenfield Award. This video is a brief compilation of excerpts from the finalists’ applications. We are thrilled with the remarkable talent of all these singers and look forward with great excitement to what the future brings them!
Top row: Edward Graves, Raven McMillon, Olivia Johnson Bottom Row: Sabrina Langlois, Kendra Beasley, Christine Jobson, Daniel Rich
Winner to be announced Sunday, Nov. 3
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Winner to be announced Sunday, Nov. 3 〰️
Meet the Judges
Mykel Robinson-Collins - Greenfield Award Coordinator
Mykel Robinson-Collins, a rising young artist, earned her Master's Degree in Music Performance from the prestigious University of Kentucky. During her time at the university, she showcased her talent in both classical and musical concerts, leaving an impression at renowned events such as Grand Night, Celebration of Song, Stars of Tomorrow, and Music with Friends. Her exceptional performance as Madame Goldentrill in the opera "The Impresario" was met with admiration and acclaim.
Beyond her achievements on stage, Mykel is an esteemed voice teacher in the DMV area, passionately guiding aspiring vocalists to reach their full potential. Alongside her teaching career, she has successfully navigated roles in administration, demonstrating her versatile skills beyond the music industry. Mykel's dedication to both performance and education underscores her commitment to fostering artistic growth and enriching the cultural landscape of her community.
Samuel James Dewese
Baritone Samuel James Dewese continues to forge a path as a unique and evocative vocal artist. Returning to Lyric Opera of Chicago for the 2024-25 season, he appears as Diego Rivera in Frida Kahlo and the Bravest Girl in the World/Illick. Additional operatic highlights include Sam/Trouble in Tahiti, Father/Hansel and Gretel, Astrophel/The Arcadians, and Marcello/La Bohème. In concert, Samuel has been a soloist at Portsmouth Cathedral (UK), Highgate Choral Society, and the Illinois Wind Symphony. Dedicated to the future of vocal music, Samuel’s world and US premiere credits include The Perfect Opera (Edinburgh Fringe), Would You Eat Me? (Thompson Street Opera Company), La Jetée (Chicago Fringe Opera) and the title character in John Henry (Tête à Tête, London). Samuel is a transracial adoptee, and the 2024-25 season includes the debut of From Cradle to Stage, a concert celebrating The Cradle, the Evanston, IL adoption agency that connected Samuel and his family. Samuel is an alumnus of the Royal College of Music, London and the Florentine Opera apprentice program, and has been honored in competition by James Toland Vocal Arts, the Metropolitan Opera Laffont Competition, the Hariclea Darclée Competition, and the Luminarts Foundation.
Dr. Makeda Hampton
Dr. Makeda Hampton is an award-winning soprano and voice teacher with over a decade of experience. Dr. Hampton has performed with several opera companies, including the Metropolitan Opera and Lyric Opera of Chicago. As a versatile artist, she regularly appears as soloist with symphony orchestras and multi-genre singing groups, co-produces shows at Feinstein’s/54 Below, and is featured on the world-premiere recording, United Sounds of America. Dr. Hampton has taught voice at several American universities and the AIMS in Graz summer program. She is currently an assistant professor of voice at Lincoln University and leads CodaSwitch Vocal Arts, the service she created to support voice majors at HBCUs. Dr. Hampton earned degrees from Oakwood University, Westminster Choir College, and the University of Kentucky.
Dr. Everett McCorvey
Dr. Everett McCorvey, hailing from Montgomery, Alabama, and a University of Alabama graduate with a Doctorate in Musical Arts, has performed globally at venues such as the Metropolitan Opera, Kennedy Center, and Teatro Comunale in Florence. He founded the American Spiritual Ensemble and directs the National Chorale and Orchestra of New York City. McCorvey serves as Principal Guest Conductor at Opera Columbus and chairs the Kentucky Arts Council. He holds the OperaLex Endowed Chair at the University of Kentucky, where he also teaches voice. Recent highlights include conducting notable works worldwide, from Handel’s Messiah to contemporary premieres. Upcoming projects include productions with Opera Columbus and Kentucky Opera.
Key’mon Murrah
Fast-rising American countertenor, Key’mon Murrah, herald for his wide range and “hot coal core of tone”, has performed across the world on top opera, oratorio, and concert stages including Bayerische Staatsoper, Metropolitan Opera, Theatre du Capitol de Toulouse, Komische Oper Berlin, LA Opera, Florida Grand Opera, and San Diego Opera. He is the Grand Prize winner of the Giulio Gari Competition, Belvedere Competition, NYIOP International Vocal Competition and Houston Grand Opera Concert of Arias and a finalist of the Operalia Competition. Next season. He will be making debuts at the Kennedy Center as a recipient of the 2024 Marian Anderson Award, Dallas-Fort Worth Symphony and Opera Montpelier.
Brandie Sutton
Hailed by Opera News for her “sumptuous, mid-weight soprano,” and The New York Times for her “warm, ample voice,” “ravishing performance” and “distinctive earthy coloring,” Brandie Inez Sutton has appeared in concert halls and on opera stages around the country, including The Metropolitan Opera, Seattle Opera, Detroit Opera, Spoleto Festival USA, and New York City Opera to name a few.The versatile vocalist is sought after in many genres, appearing as a guest soloist with Wynton Marsalis’ Jazz at Lincoln Center Orchestra. She has appeared several times at Carnegie Hall with artists from Cyrus Chestnut to the Cecilia Chorus of New York. More than once has she participated in events for EJI (Equal Justice Initiative) appearing in concert with Andra Day, Bebe Winans and John Legend. She has also been immortalized as a hologram in The Legacy Museum: From Slavery to Mass Incarceration erected by EJI located in Montgomery, AL.
Alexander Rameses Taite
A resident and native of Oakland California, Alexander Taite graduated in 2007 from Pepperdine University with a Bachelor’s Degree in music theory and composition. He emphasized in vocal performance and jazz piano. He spent 4 years teaching theory and conducting choirs at the Oakland School for the Arts. In 2014 He placed third in the inaugural James Toland Vocal Arts competition and in 2016 took audience favorite. He was a finalist in the East Bay Opera League scholarship competition in 2015. He is currently writing two song books of spirituals, one for solo voice with piano and one for acapella chorus. Previously, Alex has enjoyed teaching with the SF Opera Guild (SF Opera's education and outreach department); conducting the graduate level ensemble at the San Francisco Boys Chorus; Singing with the San Francisco Symphony chorus; coaching and voice teaching at Cantare Con Vivo; directing, and singing in recording projects around the Bay Area; and performing on many local Bay Area opera stages. He currently finds great joy in singing with the San Francisco Opera Chorus; teaching private piano, music theory, and voice lessons; and Directing Chorus Eclectic.